A bare-bones soundstage, a swipe at US policy, an embattled ginger heroine... Yes, it's the return of Lars von Trier with part two in the trilogy begun by Dogville. Alas, even radical Danish auteurs ...

America's most arty foreign scold takes his second shot at exposing our nation's underlying foundation of bourgeois moral hypocrisy, but with "Manderlay," director Lars von Trier comes dangerously ...

今回から映画レビューを書くことになりました、ミトウです。まだまだ未熟ですが、よろしくお願いします。 初回に選んだのは、ラース・フォン・トリアー監督による「アメリカ3部作」の第2作。主役であるグレースは、前作「Dogville」のニコール ...

Lars von Trier’s “Manderlay” is an attack on American racism that–like much of von Trier’s work–blazes a perverse trail and dares you to follow it. A sequel to his 2003 all-American noir “Dogville” ...

In 1933, after leaving Dogville, while traveling with her father (Willem Dafoe) and his gangsters to the south of USA, Grace Margaret Mulligan (Bryce Dallas Howard) sees a slave ready to be punished ...

It's rare that a film makes you want to reach through the screen, grab the omniscient narrator by the neck and wring the bloody life out of him. But Lars von Trier's films are designed to provoke, and ...

"Manderlay," the second film in Lars von Trier's "America: Land of Opportunities" trilogy, has the same distinctive bare aesthetic as its 2003 predecessor, "Dogville." While the style was daring in ...

In 1933, a young woman and her father discover an Alabama plantation whose inhabitants live as if slavery had never been abolished. Feeling a sense of duty to those behind the heavy gates, she stays ...

Danish director Lars Von Trier’s new digital video experiment “Manderlay” opens with a group of slaves being freed. Too bad the cruel, artless mess of a movie that ensues puts the audience in bondage ...